A Couples Photoshoot in Spain: What the Hour Actually Looks Like

The first ten minutes are awkward for everyone

This is not a sign that it is going badly. It is the normal shape of a session.

A good photographer spends those minutes walking and talking rather than shooting properly — getting you moving, finding out how you are with each other, and quietly working out which side each of you prefers. The frames from this stretch are usually warm-up. Almost nobody's favourite photograph comes from the first ten minutes.

What helps: arrive having already had coffee, and do not schedule anything tight afterwards. People who are watching the clock photograph like people who are watching the clock.

Minutes ten to forty are where the photographs come from

Once the self-consciousness drops, everything else follows. This is the stretch where a photographer will move you between two or three spots, give you something to do rather than a pose to hold, and shoot a lot.

"Something to do" is the key difference between photographs that look like you and photographs that look like a catalogue. Walking towards the camera and talking. Being told a joke. Being asked to whisper the worst thing your partner has ever cooked. The instruction is a device — what it produces is a real expression, which is the entire point.

If you want a specific classic shot, ask for it in this stretch rather than at the end. There is time then, and there is not at the end.

The last twenty minutes are for the light

Sessions are usually scheduled so the best light lands late. In Spain that is later than people expect: the sun sets around 21:25 in Barcelona in June and about 17:20 in December, because the country keeps Central European Time while sitting geographically west. More on that here.

The practical version: the last twenty minutes of a summer session are quite late in the evening. Plan dinner after with more slack than feels necessary.

Where an hour actually goes

One location is a session. Three locations is a session plus two walks, and in an old town those walks are on cobblestones and uphill.

Realistically:

• One hour, one or two locations. The right choice for most people.
• Two hours, three locations. Worth it if you want genuinely different backdrops — an old town, a viewpoint and water, say.
• Anything more starts costing you light rather than adding to the set.

If you are in Barcelona, the Gothic Quarter and the beach are twenty minutes apart and look nothing alike, which is a good two-location day. In Granada, the Albaicín lanes and the Mirador de San Nicolás are a ten-minute walk and cover shade and panorama.

The questions worth asking before you book

1. How many edited photographs do I get? The single biggest difference between two quotes that look similar. More on pricing.
2. How long until I see them?
3. What happens if it rains? Spain is sunny until it is not, and the north is not. A clear reschedule policy is a sign of someone who has done this a lot.
4. Do you know this location at this hour? More useful than any question about equipment.

Two things couples regret

Booking the session for the last day of the trip. If the weather turns there is no second chance, and you are tired. Early in the trip is better — and if you love the photographs, some people book a second session.

Over-planning the outfits and under-planning the shoes. Half of photogenic Spain is cobbled. There is a guide to what to wear, and the short version is: bring something that moves, and bring flat shoes for the walking.

What you are actually buying

Not a set of poses. An hour of being together somewhere beautiful with someone whose job is to notice when you forget you are being photographed.

The photographs people hang are almost never the posed ones. They are the frame just after the pose, when someone laughed.

The photographers on Photo Spain each set their own packages, and the concierge can narrow it to people who work your city — which for a session that lives or dies on local light matters more than portfolio style.